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Léonard Sarluis : ウィキペディア英語版 | Léonard Sarluis
Salomon-Léon Sarluis, known as Léonard Sarluis, (born The Hague, 21 October 1874 - died France, 1949) was a naturalised French Symbolist painter.〔"SARLUIS, Léonard." ''Benezit Dictionary of Artists, Oxford Art Online'', Oxford University Press. Retrieved 5 July 2014.〕 Sarluis arrived in Paris in 1894 and became a well-known ''boulevardier''. He travelled widely, including to Naples, Italy and to Russia. He was praised by Jean Lorrain and Oscar Wilde.〔 He exhibited at the Salon de la Rose+Croix and the Salon des Artistes Français, and with Armand Point he designed the poster for the fifth salon of that group. It depicted the Ideal in the form of Perseus holding the decapitated head of Émile Zola〔Jullian, Philippe. (1973) ''The Symbolists''. Translated by Mary Anne Stevens. London: Phaidon Press, p. 234. ISBN 071481590X〕 in reference to the Greek myth in which Perseus decapitated the Gorgon Medusa. For the Symbolists, Zola exemplified in literature the oppressive Naturalism they rejected.〔Lucie-Smith, Edward. (1972) ''Symbolist Art''. London: Thames & Hudson, p. 54. ISBN 0500201250〕 ==Notable works== Sarluis completed the decorative illustrations for the refectory bar at the Paris newspaper ''Le Journal'' and worked for years on a ''Mystic Interpretation of the Bible'', the paintings for which he exhibited in London in 1928. He illustrated Gaston de Pawlowski's ''Voyage to the Land of the Fourth Dimension'' which Jean Clair thought was the inspiration for Marcel Duchamp's ''Large Glass''.〔
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